About the Seminar

Indian art traditions reflect profound regional diversity shaped by geography, patronage, material & belief systems. From early sculptural centres to miniature painting ateliers, regional schools evolved distinctive artistic languages across centuries.

This seminar seeks to examine regional variations in sculptural and painting traditions and their continuing relevance in the study of Indian art heritage.
Seminar Themes
  • Early Regional Sculptural Traditions
  • Temple Sculpture & Architectural Ornamentation
  • Regional Schools of Miniature Painting
  • Iconography & Stylistic Variations
  • Revival Movements & Contemporary Relevance

Seminar Schedule

09:30 - 11:15 AM

Early Art & Stylistic Tradition

Session Chair
Dr. Emani Sivanagi Reddy
Dr. Emani Sivanagi Reddy CEO, Pleach India Foundation
Scholar
Ravindranath C. Wase Co-author: Disha G Wankhede
"Iconographic and Stylistic Variations in Resemblance to the Pāli Suttas"
Scholar
Dr. Pratishtha Mukherjee
"Between Resemblance and Refusal: Gandharan Buddha Images Beyond Hellenism"
Scholar
Arindam Chaturvedi
"Idiomatic Brawls: Analyzing the Art-historical Idioms of the Mankuwar Buddha Image"
Scholar
Antareepa Mandal
"Regional Aesthetics and Indigenous Continuity: Reinterpreting Yakshi Imagery from the Kushana-period Buddhist Site of Sanghol"
Scholar
Kanan Ramkrishna Mistry
"Dikpala sculptures of Shiva Temple at Bavka, Dahod"
Scholar
Tanya Srivastava
"Evolution in Sculptural finesse - From caves to temple in deccan region of India."
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11:30 - 01:15 PM

Regional Schools of Art

Session Chair
Dr. Manjil Hazarika
Dr. Manjil Hazarika Assistant Professor, Department of Archaeology, Cotton University, Guwahati
Scholar
Shweta Kamleshwar Handigo
"Regional Schools of Temple Sculpture in North-Western Karnataka: Form, Iconography and Ornamentation"
Scholar
Sanjay Sankar
"Terrific Forms and Regional Expressions: An Iconological Study of Bhairava Sculptures in the Hoysala School of Art"
Scholar
Tori Chowdhury
"The Sculptural Heritage of Kamakhya Temple and the Regional Identity of Assamese Sacred Art"
Scholar
Sriranjani Sriramajayam
"Heroes, Heads and Goddesses: An Analysis of Self-Sacrifice before KoRRavai- Durgā in the Pallava School of Art"
Scholar
Dr. Pallabi Bagchi
"Prescribing the Goddess: Textual Iconography and Sculptural Practice of Tara in Pala Art"
Dr. Abhishek Chauhan
Dr. Abhishek Chauhan
Dr. Krishna Gop
Dr. Krishna Gop Co-author
"Anthropology of Indigenous Expression: A Study of Cave Art Practices in Dadi Block of Hazaribagh"
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02:00 - 03:15 PM

Regional variation in Temple Architecture & Decorative Elements

Session Chair
Raghavendra Kulkarni
Raghavendra Kulkarni Professor & HOD, Karnataka Chitrakala Parishath
Scholar
Rajshri Chowdhury
"Stone as Storyteller: A Comparative Study of Architectural Ornamentation in the Nagara and Dravida Temple Traditions"
Scholar
Dr. Simmi Kapoor Meht
"Cave and Structural Temples of Chalukya of Vatapi (6th-8th Century CE)"
Scholar
Dr. Tanisha Dutta
"The Sense of Geometry and Proportion in Art as Conditioned by Medieval Hindu Temples"
Scholar
Chadalavada Venkatesh
"Art and Architecture of Bugga Ramalingeswara Temple Thadipatri"
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03:30 - 05:00 PM

Indian Art: Ornamentation, Jewellery & Material Nuances

Session Chair
Dr. Sandeep Sharma
Dr. Sandeep Sharma Deputy Director, Centre for Cultural Resources and Training
Scholar
Ruhi Priya
"Regional Disparities and Material Nuances in Śuńgan Ornamentation: An Exegesis of the Gangetic and Central Indian Jewellery Repertoire"
Dr. Janak Gadhavi
Dr. Janak Gadhavi
Shivalika Khopka
Shivalika Khopka Co-author
"Aesthetics of the Lakshmi-Narayan sculptures from Hinglajgarh"
Nisha Vashishtha
Nisha Vashishtha
Dr. Shilpi Gupta
Dr. Shilpi Gupta Co-author
"Art and Iconography of Ancient Kaman Region (Rajasthan)"
Scholar
Akshatha Arumugam
"Carving Ascetic Landscapes: Iconography and Stylistic Variations of Jain Bas-Relief Sculptures in the Rock Beds of the Madurai Region"
Scholar
Shreya Tripathi
"One Shakti and Seven Divine Powers: An Interpretation of the Saptamatrika in Tantric and Yogini Aspects"
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09:30 - 11:15 AM

Regional Schools of Miniature Painting

Session Chair
DR. RAJ KUMAR MAZINDER
DR. RAJ KUMAR MAZINDER Associate Professor, Dept. of Visual Art, Assam University, Silchar
Scholar
Tanushree Midha
"Patrons, Pantheons and Pictorial Piety: Tracing the Evolution of the Mandi School of Painting."
Scholar
Prachi Petwal
"The Garhwal School of Painting in Context: A Comparative Study within the Pahari Tradition"
Scholar
Abdur Rahman
"From Imperial Courts to Regional Aesthetics: Artistic Migration and the Transformation of Mughal Painting in Awadh"
Scholar
Hitangi Brahmbhatt
"Rajput Paintings: A Re-appraisal"
Scholar
Shraddha Sahib
"Ritualistic and Utilitarian Importance of the Bhil Paintings of Rajasthan."
Scholar
Abhik Mukherjee
"Beyond the Brush: Deciphering the Lithic Lineage and Ritual ‘Writing’ of Pithora in Chota Udepur"
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11:30 - 01:00 PM

Indian Sacred Art, Murals & Narrative Paintings

Session Chair
Dr. Rajesh Kumar Singh
Dr. Rajesh Kumar Singh Rishi Khanna Senior Fellow (Cave Temple Studies)
Scholar
Dr Shivangi Naithani Devrani
"Sacred Stories in Colour: Janamsakhi Painting as Visual Narrative in Sikh Art."
Scholar
Agroneel Mandal
"An Iconographic and Stylistic analysis of Galtaji Murals Jaipur: A Case Study of ‘Balabai Conversing with Payohari Ji’ & ‘Sages of Galta’ Mural Panels "
Raghunath Bokil
Raghunath Bokil
Janhavi Ambulkar
Janhavi Ambulkar Co-author
"Case Study of Murals from Lakshminarayana Temple of Bandhativare, Ratnagiri District, Maharashtra."
Mrs Saili Palande Datar
Mrs Saili Palande Datar Co-author: Aparna Pande Misra
"Chitrakathi School of Performance Painting: Mirroring literary & religious texts of the Deccan."
Soham Bhande
Soham Bhande
Preeti Kumari
Preeti Kumari Co-author
"Reused Sacred Forms: An Archaeological Study of Composite Jain Icons and Temple Context in Jain Temple Koge, Kolhapur."
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02:00 - 03:45 PM

Pala School: Patronage & Thangka Art

Session Chair
Dr. Chithra Madhavan
Dr. Chithra Madhavan Art Historian, Writer
Scholar
Richa Prasad
"Beyond the Canon: Regionality and Stylistic Plurality in Pala Bronze."
Scholar
Ranjan Itik Kamal
"The Thangka Painting and Its History in Bihar."
Scholar
Dr Mrinmoyee Ray
"The Dynamic Archiscape of Mallabhum: Temples and Patronage."
Scholar
Vishnu K Suresh
"Reading Forts in Paint: A Visual Analysis of Military Architecture in Miniature Traditions."
Scholar
Dr Hina Fatima Moinee
"Ragamala Miniature Paintings: A Penchant for Profound Indian Art Traditions."
Lalita Singh
Lalita Singh Co-author: Dr. Pawan Kumar Singh
"Socio-Economic Impact of Trade Routes during Post-Gupta Inscriptions-Critical Study."
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Session Insights

Explore the core themes and scholarly discussions covered in each specialized session of the national seminar.

Early Art & Stylistic Tradition
Session 01

Early Art & Stylistic Tradition

This session explores the foundational aesthetics of Indian art, focusing on the stylistic variations that emerged from early Buddhist sites. Scholars analyze the interplay between Hellenistic influences and indigenous traditions, reinterpreting Yakshi imagery and the sculptural finesse found in the Deccan region's cave-to-temple evolution.

  • Iconographic variations in Pāli Suttas
  • Gandharan Buddha images beyond Hellenism
  • Kushana-period indigenous continuity
Regional Schools of Art
Session 02

Regional Schools of Art

A deep dive into the diverse regional expressions across India. From the iconological study of Bhairava sculptures in the Hoysala school to the sacred art of Kamakhya, this session highlights how regional identities shaped India's sculptural heritage through unique ornamentation and form.

  • Hoysala and Pallava artistic idioms
  • Sacred art of North-Eastern India
  • Anthropology of indigenous cave art
Temple Architecture
Session 03

Temple Architecture & Decorative Elements

Analyzing the evolution of temple forms, this session compares the Nagara and Dravida traditions through their architectural ornamentation. Discussions focus on the sense of geometry and proportion that conditioned medieval Hindu temples, using case studies from the Chalukyas of Vatapi to Thadipatri.

  • Comparative architectural ornamentation
  • Geometry and proportion in medieval art
  • Chalukyan cave and structural temples
Ornamentation & Material
Session 04

Indian Art: Ornamentation & Material Nuances

Investigating the material culture of ancient India through ornamentation and jewellery. Scholars examine regional disparities in Śuńgan jewellery repertoire and the aesthetics of Lakshmi-Narayan sculptures, alongside the stylistic variations of Jain Bas-Reliefs in the Madurai region.

  • Material nuances in Śuńgan jewellery
  • Tantric and Yogini iconographic aspects
  • Jain rock-cut sculptural landscapes
Miniature Painting
Session 05

Regional Schools of Miniature Painting

Tracing the evolution of Indian miniature schools, including Mandi, Garhwal, and Mughal traditions. The session explores how artistic migration transformed imperial court styles into regional aesthetics, covering ritualistic Bhil paintings and the lithic lineage of Pithora art.

  • Evolution of Mandi and Garhwal schools
  • Transformation of Mughal painting in Awadh
  • Ritualistic and utilitarian folk art traditions
Murals & Narratives
Session 06

Indian Sacred Art, Murals & Narrative Paintings

Examining the vibrant world of mural paintings and narrative art. From Janamsakhi paintings in Sikh art to the Galtaji murals of Jaipur, scholars discuss how visual narratives mirror religious texts and the historical significance of Deccan performance paintings.

  • Janamsakhi visual narratives in Sikh art
  • Galtaji and Bandhativare mural panels
  • Chitrakathi performance painting traditions
Pala School & Thangka
Session 07

Pala School: Patronage & Thangka Art

This final session focuses on the sophisticated Pala school, its patronage, and the plurality of bronze casting. Discussions extend to the history of Thangka painting in Bihar, the military architecture in miniature traditions, and the socio-economic impact of historical trade routes.

  • Regional plurality in Pala Bronzes
  • History and evolution of Thangka art
  • Military architecture in visual traditions

In recognition of outstanding scholarship

The Best Research Paper will be awarded with

Pleach Ananda Coomaraswamy
Award – 2026